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Literary nonsense, as recognized since the nineteenth century, comes from a combination of two broad artistic sources. The first and older source is the oral folk tradition, including games, songs, dramas, and rhymes, such as the nursery rhyme "Hey Diddle Diddle". [3]
Absurdist fiction is a genre of novels, plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. [1]
Abol tabol (Bengali: আবোল তাবোল; listen ⓘ; lit. 'The Weird and the Absurd') is a collection of Bengali children's poems and rhymes composed by Sukumar Ray, first published on 19 September 1923 by U. Ray and Sons publishers.
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Other nonsense verse makes use of nonsense words—words without a clear meaning or any meaning at all. Lewis Carroll and Edward Lear both made good use of this type of nonsense in some of their verse. These poems are well formed in terms of grammar and syntax, and each nonsense word is of a clear part of speech.
Edward Lear (12 May 1812 [1] [2] – 29 January 1888) was an English artist, illustrator, musician, author and poet, who is known mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised.
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Nonsense verse is the verse form of literary nonsense, a genre that can manifest in many other ways. Its best-known exponent is Edward Lear, author of The Owl and the Pussycat and hundreds of limericks. Nonsense verse is part of a long line of tradition predating Lear: the nursery rhyme Hey Diddle Diddle could also