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The lyrics to the song were written by Jin Guolin, a 12-year-old student who was in 5th grade in 1970, and the composer was Jin Yueling, a 19-year-old apprentice from Shanghai Sixth Glass Factory. [1] This song was part of the daily routine for many primary schools. It would be sung, following "The Internationale" and "The East is Red".
Te Amo (I Love You) is the first studio album released by Panamanian singer-songwriter Makano on November 18, 2008. This album includes the single " Te Amo ", which peaked at number-one in the Billboard Hot Latin Tracks chart .
Te Amo may refer to: . Te Amo, a 2008 album by Makano; Te Amo, an album by María Conchita Alonso "Te Amo" (Makano song), 2008 "Te Amo" (Piso 21 and Paulo Londra song), 2018 "Te Amo" (Rihanna song), 2010
The website was created in late 2000 by Schiano after he was inspired by a debate surrounding the meaning behind music group Ben Folds Five's song, "Brick". [5] In September 2011, SongMeanings agreed to terms with LyricFind to provide licensed lyrics. This agreement makes SongMeanings a legal entity amongst the hundreds of illegal lyrics sites.
The following is an overview of 2022 in Chinese music. Music in the Chinese language (mainly Mandarin and Cantonese) and artists from Chinese-speaking countries (Mainland China, Hong Kong, Taiwan, Malaysia, and Singapore) will be included. The following includes TV shows that involve Chinese music, award ceremonies, and releases that have occurred.
Xinyao (Chinese: 新謠; pinyin: Xīnyáo) is a genre of songs originating from Singapore. [1] It is a contemporary Mandarin vocal genre that emerged between the late 1970s to 1980s. [ 2 ] [ 3 ] Xinyao songs are typically composed and sung by Singaporeans , although there are exceptions: one of the most notable being Eric Moo , who is not ...
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Mandopop is categorized as a subgenre of commercial Chinese-language music within C-pop. Popular music sung in Mandarin was the first variety of popular music in Chinese to establish itself as a viable industry. It originated in Shanghai; later, Hong Kong, Taipei and Beijing also emerged as important centers of the Mandopop music industry. [3]