Search results
Results from the WOW.Com Content Network
In basic implementations, variations in bit depth primarily affect the noise level from quantization error—thus the signal-to-noise ratio (SNR) and dynamic range. However, techniques such as dithering, noise shaping, and oversampling can mitigate these effects without changing the bit depth. Bit depth also affects bit rate and file size.
The 44.1 kHz audio sampling rate is widely ... (44.1 kHz) and bit depth (16 bits per sample, rather than 14 bits per sample). ... by the high ratio number between the ...
Sample rate Bit rate Bits per sample Latency CBR VBR Stereo Multichannel G.711: companding A-law or μ-law, PCM: 8 kHz 64 kbit/s 8 bit 125 μs (typical) Yes No No No G.711.0: Lossless compression of G.711: 8 kHz 0.2–65.6 kbit/s 8 bit 5–40 ms No Yes No No G.711.1: MDCT, A-law, μ-law: 8, 16 kHz 64, 80, 96 kbit/s 16 bit 11.875 ms Yes Yes No No
PCM supports bit rates up to 1,534 kbit/s, sampling rates up to 48.0 kHz, and bit depths up to 24 bits. Sampling rate Sampling rate or sampling frequency is the number of samples per unit of time (usually seconds) taken from a continuous signal to make a discrete signal. Common examples of sampling rates include CD quality audio, which is ...
Double-Rate DSD, 1-bit Direct Stream Digital at 2× the rate of the SACD. Used in some professional DSD recorders. 11,289,600 Hz Quad-Rate DSD, 1-bit Direct Stream Digital at 4× the rate of the SACD. Used in some uncommon professional DSD recorders. 22,579,200 Hz Octuple-Rate DSD, 1-bit Direct Stream Digital at 8× the rate of the SACD. Used ...
Sample-rate conversion prevents changes in speed and pitch that would otherwise occur when transferring recorded material between such systems. More specific types of resampling include: upsampling or upscaling; downsampling, downscaling, or decimation; and interpolation. The term multi-rate digital signal processing is sometimes used to refer ...
[a] But in signal processing, decimation by a factor of 10 actually means keeping only every tenth sample. This factor multiplies the sampling interval or, equivalently, divides the sampling rate. For example, if compact disc audio at 44,100 samples/second is decimated by a factor of 5/4, the
The DVD-Audio format uses standard, linear PCM at variable sampling rates and bit depths, which at the very least match and usually greatly surpass those of standard CD audio (16 bits, 44.1 kHz). In the popular Hi-Fi press, it had been suggested that linear PCM "creates [a] stress reaction in people", and that DSD "is the only digital recording ...