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In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level [1] (or beat level). [2] The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be ...
Jazz Chants appeal to students of all ages, and work with large classes, and stimulate pairwork and role-playing activities. [3] Jazz chants improve the students' speaking competence in terms of pronunciation, grammar, vocabulary, fluency and comprehension. [4] Jazz chants help students sound more natural when they speak English. [5]
Beat music, British beat, or Merseybeat is a British popular music genre and developed around Liverpool in the late 1950s and early 1960s. The genre melded influences from British and American rock and roll , rhythm and blues , skiffle , traditional pop and music hall .
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
In a music industry context, a "crossover artist" or "crossover band" is a performer or group from one style that has managed to garner a following amongst fans of a different musical style. For example, some country performers have managed to get "crossover" hits in the pop charts.
Time signatures in music contain patterns of strong and weak beats. In every time signature, the first beat, or the downbeat, is the strongest. 4/4, 3/4, and 6/8 time are the most common time signatures in popular styles. In 4/4 time, four beats are present in one measure. The first beat is the strongest, with the third beat the second-strongest.
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Frederick Neumann (in 1973) indicates that any of the 3 notes of a 3-note slide could occur on the beat, but did not cite any sources to support this. [5] By 1993, he stated that the slide could occur only before or on the beat (i.e. the last note of the slide on the beat, or the first note of the slide on the beat). [2]
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