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Raymond Duchamp-Villon, 1912, La Maison Cubiste (Cubist House) at the Salon d'Automne, 1912, detail of the entrance; Façade architecturale (destroyed) [1]. La Maison Cubiste (The Cubist House), also called Projet d'hôtel, was an architectural installation in the Art Décoratif section of the 1912 Paris Salon d'Automne which presented a Cubist vision of architecture and design.
The palm court of the 19th century was reinvented by John Portman who created an influential design of grand atrium for the Hyatt Regency Atlanta in 1967. [13]Contemporary hotel design can be sophisticated and functional, involving specialist architects and designers, [14] environmental and structural engineers, interior designers and skilled contractors and suppliers, particularly for large ...
The interior was converted into a hotel from 2020 to 2022. The Brooklyn-based design studio Dutch East Design was hired for the interior design and branding for the hotel. The hotel includes 165 guest rooms, a lobby, a restaurant called BLDG, bar, and event space. It is operated by Hilton's Tapestry brand. [1]
Uptown, completed in 1988 was hailed as a heritage 'success', retaining the facades of several buildings including the Hotel Carlton (1885), New York Hotel (1860) and Newspaper House. Another notorious example was the Queensland Country Life Building (1888) which was reduced to a facade in 1991, and left as a remnant for many years until a ...
The striking design, departing from traditional Arab and European architecture, made the hotel a symbol of modernism in Tunis. It remains an important example of Brutalism in North Africa. Its distinctive shape has prompted comparisons with the sandcrawler vehicle of the Star Wars films. [1] [2]
Contemporary architecture is the architecture of the 21st century. No single style is dominant. [1] Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new references and interpretations of traditional architecture [2] [3] to highly conceptual forms and designs, resembling sculpture on an enormous scale.
The first two stories of the facade are made of rusticated limestone blocks, while the upper stories have a Renaissance Revival brick facade, with limestone, metal, and terracotta details inspired by the Beaux-Arts style. When the hotel opened, it contained a large restaurant and a smaller cafe, which later became the Oak Room cabaret.
The hotel's lobby was designed in the Adam style and is partially preserved as the modern residential lobby. The first basement had a grill room known as the Della Robbia Room, decorated ornately with Guastavino tile ; part of the room survives and is designated as a New York City interior landmark .