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The lyrics contain many references to Portland such as the neighborhood of Alameda, Division Street and the Portland Rose Festival. The album's style has been described as "a bridge between the lo-fi darkness of Roman Candle and Elliott Smith and the studio sheen of XO and Figure 8." [9]
It is considered happy [2] and optimistic [3] in both instrumentation and lyrics in comparison to the dark tone in most of his other songs. [4] In an interview, Smith said that the song was written about "someone particular, and I almost never do that. I was really in love with someone." [5]
Song structure is the arrangement of a song, [1] and is a part of the songwriting process. It is typically sectional, which uses repeating forms in songs.Common piece-level musical forms for vocal music include bar form, 32-bar form, verse–chorus form, ternary form, strophic form, and the 12-bar blues.
A mensurstrich is a bar line which stretches only between staves of a score, not through each staff; this is a specialized notation used by editors of early music to help orient modern musicians when reading music which was originally written without bar lines.
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
Sam, seeing Lou's vulnerability, goes out with him. Discussing her novel, she explains Erica openly cuckholded Bill. Listening to Lou's favorite song, Between the Bars by Elliott Smith, Sam begins to cry, afraid he'll hurt her. Lou promises he won't, and they kiss.
John O’Hurley believes his character on The Young and the Restless character, Dr. James Grainger, could have done a better job on the show. “I don't think I kept a single patient alive in the ...
Between the Buttons, like many British long-players of the era, differed between its UK and US versions. The UK edition (in the form Oldham and the Stones intended it) was issued on 20 January 1967 (Mono, LK 4852; Stereo, SKL 4852) on Decca Records , concurrently with a separate single, "Let's Spend the Night Together" b/w "Ruby Tuesday".