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Developed in antiquity but became common in the 14th century with the reintroduction of plate armour, later sometimes two pieces overlapping for top and bottom. Whether of one piece or two, breastplate is sometimes used to literally describe the section that covers the breast. Plackart: Extra layer of plate armour initially covering the belly.
Kasten-brust armour is widely represented by paintings and statues of the first half of the 15th century. A style featuring a sharp ridge at the apex of the breastplate first shows up in art during the first decade of the 15th century. By 1420 a more rounded shape begins to appear in art, sometimes with fluted embellishments.
Bases are the cloth military skirts (often part of a doublet or a jerkin), [1] generally richly embroidered, worn over the armour of later men-at-arms such as French gendarmes in the late 15th to early 16th century, as well as the plate armour skirt later developed in imitation of cloth bases for supplemental upper-leg protection, worn by men ...
A suit of gothic armour of the late 15th century, made by Lorenz Helmschmied of Augsburg, now kept in the Hermitage Museum, St. Petersburg.. Gothic plate armour (German: Gotischer Plattenpanzer) was the type of steel plate armour made in the Holy Roman Empire during the 15th century.
Greenwich armour is the plate armour in a distinctively English style produced by the Royal Almain Armoury founded by Henry VIII in 1511 in Greenwich near London, which continued until the English Civil War. The armoury was formed by imported master armourers hired by Henry VIII, initially including some from Italy and Flanders, as well as the ...
Maximilian armour is a modern term applied to the style of early 16th-century German plate armour associated with, and possibly first made for the Emperor Maximilian I. The armour is still white armour , made in plain steel, but it is decorated with many flutings that may also have played a role in deflecting the points and blades of assailants ...
German so-called Maximilian armour of the early 16th century is a style using heavy fluting and some decorative etching, as opposed to the plainer finish on 15th-century white armour. The shapes include influence from Italian styles. This era also saw the use of closed helms, as opposed to the 15th-century-style sallets and barbutes.
Fashion in 15th-century Europe was characterized by a surge of experimentation and regional variety, from the voluminous robes called houppelandes with their sweeping floor-length sleeves to the revealing giornea of Renaissance Italy. Hats, hoods, and other headdresses assumed increasing importance, and were draped, jeweled, and feathered.
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