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List of pieces using polytonality and/or bitonality.. Samuel Barber. Symphony No. 2 (1944) [citation needed]; Béla Bartók. Mikrokosmos Volume 5 number 125: The opening (mm. 1-76) of "Boating", (actually bimodality) in which the right hand uses pitches of E ♭ dorian and the left hand uses those of either G mixolydian or dorian [1]
Western music: 130 Representative examples documenting the history of Western music from the medieval period through the modern era, including many complete works. The Library of Congress: Medieval Music Database: medieval: Four complete manuscripts, a gradual, and three antiphonals. La Trobe University: MuseData classical
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Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.
Microlino at Geneva Motor Show 2018. The Microlino, legally designated as a four-wheeled quadricycle with a battery-powered electric motor, was first presented in 2016 at the Geneva Car Show; it is based on the design of the Isetta, a 1950s bubble car which was sold over 160,000 times. [11]
Music examples are an obviously valuable and necessary addition to Wikipedia, often superior to text. These are both far more valuable and far more free than music samples being abstract categories applicable to multiple examples without any of the copyright or other law applicable to samples. But how should these examples be provided?
Microlino at the 2016 Geneva Motor Show. At the 2016 Geneva Motor Show, Swiss entrepreneur Wim Ouboter of Micro Mobility Systems revealed the Microlino, a small electric microcar inspired by the Isetta. [38] After being postponed, production of the vehicle commenced in 2022 with pre-orders for over 8,000 vehicles, costing EUR 12,000 each. [39] [40]
Schenkerian analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the work by showing how the "foreground" (all notes in the score) relates to an abstracted deep structure, the Ursatz.