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A line from the poem, "Teri aankhon ke siva duniya mein rakha kya hai", was used by Majrooh Sultanpuri as the opening verse of a song in the Hindi film Chirag (1969). [17] Sahir Ludhianvi’s song "Tum mujhe bhool bhi jaao to yeh haq hai tumko" (1959 Bollywood film Didi) is noted for its similarity of theme with this poem. [18]
The theme of saturated colors, dyes, and hues is a well-known motif in Sufi poetry and imagery and is understood to symbolize union between the seeker and God (as the Beloved). [4] In the context of the song, however, "rang" or "rung" refers to the happiness, splendor, or glow that Khusrau feels after having met his pir (spiritual guide). In ...
Mamta Kalia. Mamta Kalia (born 2 November 1940) is an Indian author, teacher, and poet, writing primarily in the Hindi language. [1] She won the Vyas Samman, one of India's richest literary awards, in 2017 for her novel Dukkham Sukkham (Sadness and Happiness).
' In memorium Saroj ') is a long elegiacal poem in Hindi written by Suryakant Tripathi 'Nirala'. He composed this following the death of his 18-year-old daughter, Saroj, in 1935. Its first publication occurred in the second edition of Anāmikā in 1937. This poem is considered one of the finest elegies in Hindi literature. [1]
In Padmavat, an epic poem written by Malik Muhammad Jayasi in 1540, [3] Nagmati is said to have been King Ratan Sen's first wife and chief queen, the head of his harem. [4] She awaits happily as her husband returns home to Chittor , but the happiness turns to jealousy and contempt when she hears that he has taken a second wife, Padmavati , the ...
It is a Tamil story of love and rejection, happiness and pain, good and evil like all classic epics of the world. Yet unlike other epics that deal with kings and armies caught up with universal questions and existential wars, the Cilappatikāram is an epic about an ordinary couple caught up with universal questions and internal, emotional war ...
Maithili Sharan Gupt [1] (3 August 1886 – 12 December 1964 [2]) was one of the most important modern Hindi poets. [3] He is considered one among the pioneers of Khari Boli (plain dialect) poetry and wrote in Khari Boli dialect, [2] at a time when most Hindi poets favoured the use of Braj Bhasha dialect. [4]
The publication of the work in 1935 brought Harivanshrai Bachchan instant fame, and his own recitation of the poems became a "craze" at poetry symposiums. [ 2 ] Madhushala was part of his trilogy inspired by Omar Khayyam 's Rubaiyat , which he had earlier translated into Hindi.