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The painting depicts the historical event that happened during English navigator Henry Hudson final voyage to search for the Northwest passage, when his crew mutinied in Hudson Bay, and he, his son and others were abandoned in a small boat, on 23 June 1611. It is unknown what happened to Hudson, his son and his men after this, but its presumed ...
Incised sarcophagus slab with the Adoration of the Magi from the Catacombs of Rome, 3rd century.Plaster cast with added colour. Except for Jesus wearing tzitzit—the tassels on a tallit—in Matthew 14:36 [9] and Luke 8:43–44, [10] there is no physical description of Jesus contained in any of the canonical Gospels.
Henry Hudson (c. 1565 – disappeared 23 June 1611) was an English sea explorer and navigator during the early 17th century, best known for his explorations of present-day Canada and parts of the Northeastern United States.
Nicodemus Visiting Christ is a painting by Henry Ossawa Tanner, made in Jerusalem in 1899 during the artist's second visit to what was then Palestine. [1] The painting is biblical, featuring Nicodemus talking privately to Christ in the evening, and is an example of Tanner's nocturnal light paintings, in which the world is shown in night light.
One possibility was lighting; Throughout many of Tanner's images, paintings made of dim light subjects are common. [2] Like this painting, some such as The Banjo Lesson and Nicodemus visiting Jesus feature multiple lights. [2] Viewers can look at his paintings to detect from patches of light and shadows, where the lights are positioned. [2]
The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 70 years or fewer .
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Subjects showing the life of Jesus during his active life as a teacher, before the days of the Passion, were relatively few in medieval art, for a number of reasons. [1] From the Renaissance, and in Protestant art, the number of subjects increased considerably, but cycles in painting became rarer, though they remained common in prints and ...