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Carl Flesch (born Károly Flesch, 9 October 1873 – 14 November 1944) was a Hungarian classical violinist and teacher. Flesch’s compendium Scale System is a staple of violin pedagogy . Life and career
the heat of a bath in which solid wax melts and is conserved in liquid state without boiling 28: 2 + 1 ⁄ 4: intermediate point between the boiling point of water and the melting point of wax 34: the heat at which water boils vehemently (the temperature at which water begins to boil is given as an additional value in the description, as 33) 40
Mozart and Haydn wrote most of their masses in C major. [3] Gounod (in a review of Sibelius' Third Symphony) said that "only God composes in C major". Six of his own masses are written in C. [4] Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major".
Another way to express this is that the just fifth has a frequency ratio (compared to the tonic) of 3:2 or 1.5 to 1, whereas the seventh semitone (based on 12 equal logarithmic divisions of an octave) is the seventh power of the twelfth root of two or 1.4983... to 1, which is not quite the same (a difference of about 0.1%). Take the just fifth ...
1 to 3 ratio of salt to ice. Dry ice: Tetrachloroethylene-22 Dry ice: Carbon Tetrachloride-23 Dry ice: 1,3-Dichlorobenzene-25 Dry ice: o-Xylene-29 Liquid N 2: Bromobenzene-30 Dry ice: m-Toluidine-32 Dry ice: 3-Heptanone-38 Ice: Calcium chloride hexahydrate -40 1 to 0.8 ratio of salt to ice. Dry ice: Acetonitrile-41 Dry ice: Pyridine-42 Dry ice ...
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It is also prevalent in 20th century compositions by Alberto Ginastera, [5] Almeida Prado, [6] Béla Bartók, [7] Milton Babbitt, and Arnold Schoenberg, by saxophonists John Coltrane and Oliver Nelson in the late 1950s and early 1960s, and bandleader Michael Brecker. [3] Alternating E major and C minor triads form the augmented scale in the ...
The name "meantone temperament" derives from the fact that in all such temperaments the size of the whole tone, within the diatonic scale, is somewhere between the major and minor tones (9:8 and 10:9 respectively) of just intonation, which differ from each other by a syntonic comma.
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