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Gamelan gong gede, meaning "gamelan with the large gongs", is a form of the ceremonial gamelan music of Bali, dating from the court society of the fifteenth and sixteenth centuries, associated historically with public ceremonies and special occasions such as temple festivals.
Joged bumbung is a style of gamelan music from Bali, Indonesia on instruments made primarily out of bamboo. [1] [2] The ensemble gets its name from joged, a flirtatious dance often performed at festivals and parties. This style of Gamelan is especially popular in Northern and Western Bali, but is easily found all over the island.
In mediaeval Bali (circa 1700–1906) gamelan semar pegulingan was an important part of the Balinese courts. Accompanying court rituals and pendet dances at temple ceremonies, Semar pegulingan also served to lull the royal family to sleep when it played in the late evenings in the inner sanctum of the palace.
Gamelan in Bali known as gambelan is commonly used in traditional ritual processions such as death ceremonies which we know as the Ngaben tradition. Meanwhile, for human ceremonies, gender is used and for ceremonies in temples, gong gede is usually used. In terms of the development of the era, Balinese gamelan can be divided into 3 types: [49]
The suling gambuh play melodies along with a rebab while percussion instruments fill out the sound with a variety of timbres and rhythms: a medium-sized gong, a small gong called kajar, two kendang, a chime called klenang, a bell tree called gentorag, rincik (reminiscent of a ceng-ceng), a metallophone called kenyir, kangsi, and gumanak.
Bali, however, has its own techniques and styles, including kecak, a form of singing that imitates the sound of monkeys. In addition, the island is home to several unique kinds of gamelan, including the gamelan jegog , gamelan gong gede , gamelan gambang , gamelan selunding and gamelan semar pegulingan , the cremation music angklung and the ...
Jegog is a form of gamelan music indigenous to Bali, Indonesia, played on instruments made of bamboo. The tradition of jegog is centered in Jembrana, a region in Western Bali. In recent years jegog has started to become popular in other regions of Bali with a few groups being established in central Bali to entertain tourists.
Some have five keys (1, 2, 3, 5, and 6) but seven key jublag are also commonly found in Bali (though gong kebyar ensembles typically do not use notes 4 and 7, using only the pelog selisir scale). It usually plays at submultiples of the pokok ; the keys are struck more frequently than the jegogan and usually less frequently than the ugal ...