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Example of the early plain style on this tombstone carved by George Griswold dated 1675. Hartford Ancient Burying Ground. The earliest known New England stonecutters were George Griswold and his uncle Matthew, who settled in Windsor, Connecticut around 1640. Matthew carved the oldest known grave marker in the New World, a table monument made of ...
The Puritan culture of the New England colonies of the seventeenth century was influenced by Calvinist theology, which believed in a "just, almighty God," [1] and a lifestyle of pious, consecrated actions. The Puritans participated in their own forms of recreational activity, including visual arts, literature, and music.
The Puritans have often been depicted wearing simple black and white, but for them, the color "black" was itself considered too bold for regular use and was reserved for community elders and for highly formal occasions such as when having one's portrait painted. Black was considered so formal in part because black dye was difficult to obtain ...
[3] As such, New England culture is a complex combination of its overarching and popular Puritan English colonial narrative and its multiple and equally important complementary and competing alternative narratives.
The plain style can be traced to as far back as the 17th century, whereby playwrights and scientists would use this form of communication to convey an important idea or theory. Ben Jonson, a playwright, used the plain style in his theatrical productions which earned him the title of the "first thoroughly classical poet in English literature". [3]
The Puritan is a bronze statue by sculptor Augustus Saint-Gaudens in Springfield, Massachusetts, which became so popular that it was reproduced for over 20 other cities, museums, universities, and private collectors around the world, and later became an official symbol of the city, emblazoned on its municipal flag. [1]
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Published by Boston University and The Currier Gallery of Art for The Dublin Seminar for New England Folklife, 1979. An exhibition catalog for a Loan Exhibition held at the Currier Gallery of Art, Manchester, NH. ISBN 0-87270-050-X. Bliss, William Root: Side Glimpses from the Colonial Meeting House. Houghton, Mifflin, and Company, New York, 1894.