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Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen. It is the entrance aria of the title character, a mezzo-soprano role, in scene 5 of the first act.
Like Carmen's Habanera, it is built on a descending chromatic scale as Escamillo describes his experiences in the bullfighting ring. In the chorus praising the toreador, the music turns celebratory and confident in character. [1] Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain. [2]
"Carmen" is a song by Belgian singer Stromae, the sixth single from his second album Racine carrée. The animated music video, illustrated by Sylvain Chomet , the director of Belleville Rendez-Vous , [ 1 ] was posted on social networks by the Facebook account of the American news website BuzzFeed Music.
Habanera, guitar composition by Eduardo Sainz de la Maza; Habanera, guitar composition by Xavier Montsalvatge "Habanera" (aria), popular name of an aria "L'amour est un oiseau rebelle" from Bizet's opera Carmen; Habanera (John Harle album), a 1987 album by the English classical saxophonist John Harle; Habanera, a 2000 album by Celia Cruz
After her provocative habanera, with its persistent insidious rhythm and changes of key, the fate motif sounds in full when Carmen throws her flower to José before departing. [86] This action elicits from José a passionate A major solo which Dean suggests is the turning-point in his musical characterisation. [ 33 ]
That seems to be material that belongs in Habanera (music). Then it goes to Bizet, and the rest of the article is about the specific aria "L'amour est un oiseau rebelle" from Carmen. That aria is in the form of an habanera, and is sometimes referred to as "The Habanera from Carmen", but its actual title is "L'amour est un oiseau rebelle". It is ...
The habanera was the first of many Cuban music genres which enjoyed periods of popularity in the United States, and reinforced and inspired the use of tresillo-based rhythms in African American music. [b] From the perspective of African American music, the habanera rhythm can be thought of as a combination of tresillo and the backbeat. [19]
The piece contains an adaptation of the Aragonaise, Habanera, an interlude, Seguidilla, and the Gypsy Dance. Sarasate chose specifically the music with a Spanish character. [1] A performance takes approximately 12 minutes. [4] The Carmen Fantasy is one of Sarasate's best-known works [1] and is often performed