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The Annunciation (c. 1440–1445) [1] is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos.
The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
Fra Angelico at San Marco. Yale University Press, 1993. ISBN 978-0-300-05734-8; Morachiello, Paolo. Fra Angelico: The San Marco Frescoes. Thames and Hudson, 1990. ISBN 0-500-23729-8; Frederick Hartt. A History of Italian Renaissance Art, Thames & Hudson, 1970. ISBN 0-500-23136-2; Giorgio Vasari. Lives of the Artists. first published 1568 ...
Annunciation Church sprung from the congregation at St. Vincent's, Houston's first Catholic church. In 1866, Father Joseph Querat and Galveston Bishop Claude M. Debuis believed the congregation was outgrowing the old building and started planning for a new one. The congregation chose the name for the planned building, "Church of the Annunciation."
Adoration of the Magi (San Marco) Adoration of the Magi (Fra Angelico and Filippo Lippi) Annunciation (Fra Angelico, Madrid) Annunciation (Fra Angelico, San Marco) Annunciation of Cortona; Annunciation of San Giovanni Valdarno; Armadio degli Argenti
Wedding at Cana, Baptism and Transfiguration Fra Angelico, Flight into Egypt Fra Angelico, Massacre of the Innocents From drawings by Fra Angelico, Christ Washing the Disciples' Feet The panels of the Armadio degli Argenti (Italian: Wardrobe of the Silversmiths ) are a series of tempera paintings on panel created by Fra Angelico ca. 1451–1453 ...
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Adoration of the Magi by Fra Angelico in San Marco (c. 1441-1442) The Adoration of the Magi in San Marco is a fresco by Fra Angelico in a double cell used by Cosimo de' Medici, created c. 1441-1442. [1] The paintings in the double cell differ in some respects from Fra Angelico's frescos in others cells.