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Arial was designed by Robin Nicholas and Patricia Saunders in 1982 and was released as TrueType font in 1990. From 1993 to 1999, it was extended as Arial Unicode MS (with its first release as a TrueType font in 1998) by the following members of Monotype Typography's Monotype Type Drawing Office, under contract to Microsoft: Brian Allen, Evert Bloemsma, Jelle Bosma, Joshua Hadley, Wallace Ho ...
Arial: Sometimes called Arial Regular to distinguish its width from Arial Narrow, it contains Arial (Roman text weight), Arial Italic, Arial Bold, Arial Bold Italic; Arial Unicode MS [35] Arial Black: Arial Black, Arial Black Italic. This weight is known for being particularly heavy.
Core fonts for the Web was a project started by Microsoft in 1996 to create a standard pack of fonts for the World Wide Web.It included the proprietary fonts Andalé Mono, Arial, Arial Black, Comic Sans MS, Courier New, Georgia, Impact, Times New Roman, Trebuchet MS, Verdana and Webdings, all of them in TrueType font format packaged in executable files (".exe") for Microsoft Windows and in ...
Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Arial Unicode MS: Pan-Unicode Microsoft Office 2000, XP, 2004. – Droid Sans Fallback: Pan-Unicode (SC style) Ascender Corporation for Google's Android [F] Apache License 2 Was the default system font for Android below version 4.4.2. Replaced by Source Han Sans. Source Han Sans; Noto Sans CJK; Chinese: 思源黑体; Japanese: 源ノ角ゴシック
These fonts are metrically compatible with the most popular fonts on the Microsoft Windows operating system and the Microsoft Office software package (Monotype Corporation's Arial, Arial Narrow, Times New Roman and Courier New, respectively), for which Liberation is intended as a free substitute. [2] The fonts are default in LibreOffice.
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The Unicode standard does not specify or create any font (), a collection of graphical shapes called glyphs, itself.Rather, it defines the abstract characters as a specific number (known as a code point) and also defines the required changes of shape depending on the context the glyph is used in (e.g., combining characters, precomposed characters and letter-diacritic combinations).