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The creations of Duchamp, Picabia, Man Ray, and others between the Armory Show in 1913 and 1917 eluded the term Dada at the time, and "New York Dada" came to be seen as a post facto invention of Duchamp. At the outset of the 1920s the term Dada flourished in Europe with the help of Duchamp and Picabia, who had both returned from New York.
Yves Klein (April 28, 1928 – June 6, 1962) (see Neo-Dada) Hans Leybold (April 2, 1892 – September 8, 1914) Filippo Tommaso Marinetti (December 22, 1876 – December 2, 1944) Agnes Elizabeth Ernst Meyer (1887 – 1970) Pranas Morkūnas (October 9, 1900 – December 28, 1941) Clément Pansaers (May 1, 1885, – October 31, 1922)
The Dada Manifesto (French: Le Manifeste DaDa) is a short text written by Hugo Ball detailing the ideals underlying the Dadaist movement. It was presented at Zur Waag guildhall in Zürich at the first public Dada gathering on July 14, 1916. [ 1 ]
Dada was born out of negative reaction to the horrors of World War I. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich. Dada rejected reason and logic, prizing nonsense, irrationality, and intuition. The origin of the name Dada is unclear; some believe that it is a nonsense word.
Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913. This is an incomplete list of works by the French artist Marcel Duchamp (28 July 1887 – 2 October 1968), painter, sculptor, chess player, and writer whose work is associated with Cubism, conceptual art, and Dada.
DaDa is the eighth solo studio album by American rock singer Alice Cooper, released in September 1983, by Warner Bros. Records. DaDa would be Cooper's final studio album until his sober re-emergence in 1986 with the hard rock album Constrictor .
A 1913 parody, The Rude descending a staircase (Rush-Hour at the Subway), in The New York Evening Sun Nude Descending a Staircase, No. 2 in the Frederic C. Torrey home, c. 1913. The painting was exhibited for the first time at Galeries Dalmau, Exposició d'Art Cubista, Barcelona, 1912. [18]
Eljer Co. Highest Quality Two-Fired Vitreous China Catalogue 1918 Bedfordshire No. 700. Marcel Duchamp had arrived in the United States less than two years prior to the creation of Fountain and had become involved with Francis Picabia, Man Ray, and Beatrice Wood (amongst others) in the creation of an anti-rational, anti-art, proto-Dada cultural movement in New York City.