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"Techno Cumbia" is a Spanish-language uptempo techno-pop cumbia song. [3] It draws influences from Latin dance, [7] dancehall, rap, [8] and club music. [9] Musicologists Ilan Stavans and Harold Augenbraum called it a hip-hop fusion song. [10]
A few other reggae covers were done by Sinéad O'Connor when she was touring to promote the album, such as "Rivers Of Babylon" (by The Melodians), "None A Jah Jah Children No Cry" (by Ras Michael & The Sons Of Negus), "Keep Cool Babylon" (by Ras Michael & The Sons Of Negus), "Stepping Razor" and "Creation" (by Peter Tosh).
The renewed interest in the song led to Trojan Records reissuing the Harry J Allstars version as a double A-side with the original version of another song featured in the medley, "Long Shot Kick De Bucket" by The Pioneers, in March 1980. The reissue reached number 42 in the UK Singles Chart.
By fusing the Ragga Twins' reggae with Shut Up & Dance's production style, [1] Reggae Owes Me Money became a blueprint for jungle music, [3] [17] [18] a genre defined by its usage of basslines, breakbeats and ragga, [18] and which Dan Kuper of the New Statesman describes as the first authentic British dance music genre and a direct ancestor to ...
Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop ...
It was the first popular song to use the word "reggae" and defined the developing genre by giving it its name. [1] At that time, "reggay" had been the name of a passing dance fashion in Jamaica , but the song's connection of the word with the music itself led to its use for the style of music that developed from it.
"Bam Bam" is a 1982 song by Jamaican dancehall recording artist Sister Nancy. The song's chorus was inspired by the 1966 song of the same name, by The Maytals and Byron Lee and the Dragonaires. [1] The song's instrumental samples the 1974 song "Stalag 17", by Ansell Collins, a well known riddim, alternatively known as a backing track used ...
He is largely credited as being one of the original acts to cross hip-hop with reggae music, [4] now known as reggae fusion, with songs such as "Try My Love" in 1992. [5] Shinehead's vocal talent can be heard across various tracks on the Unity (1988) and The Real Rock (1990) albums. His rapid deejay chat style can be heard on tracks such as ...
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