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The film focuses on Anne Sullivan's struggle to draw the young Helen Keller, a blind and prelingually deaf girl, out of her world of darkness and silence during the 1880s. Helen has been unable to communicate with her family except through physical temper tantrums since an illness took her eyesight and hearing from her at the age of 19 months old.
The Beyond (1981 film) Beyond the Years; Blades of Blood; Blind (2014 film) Blind (2011 film) Blind (2019 film) Blind (2007 film) Blind Alibi; Blind Beast; Blind Company; Blind Corner; Blind Date (1984 film) Blind Detective; The Blind Man Who Did Not Want to See Titanic; Blind Man's Bluff (1936 film) Blind Massage; Blind Musician; Blind Rage (film)
Blind (2016 film) Blind Dating; Blind Fury; Blink (1993 film) The Book of Eli; Bright Victory; Butterflies Are Free; C. Come as You Are (2019 film) D. Destiny (1944 film)
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A Patch of Blue is a 1965 American drama film directed and written by Guy Green about the friendship between an educated black man (played by Sidney Poitier) and an illiterate, blind, white 18-year-old girl (played by Elizabeth Hartman in her film debut), and the problems that plague their friendship in a racially divided America.
The Miracle Worker is a 1962 American biographical film about Anne Sullivan, blind tutor to Helen Keller, directed by Arthur Penn.The screenplay by William Gibson is based on his 1959 play of the same title, which originated as a 1957 broadcast of the television anthology series Playhouse 90.
Psyche 59 is a 1964 British drama film directed by Alexander Singer and starring Patricia Neal, Curd Jürgens, Samantha Eggar, Ian Bannen, Beatrix Lehmann and Elspeth March. [1] It was written by Julian Halevy based on the 1963 novel Psyche '59 by Françoise des Ligneris. The film was released on 29 April 1964 by Columbia Pictures. [2] [3] [4]
The film is based on a book by Nicholas Monsarrat that nearly had Helen Keller's co-workers suing for libel due to perceived parallels between Helen's story and Esther's. [3] In particular, the book seemed to slur the character of Anne Sullivan 's husband, writer-publicist John Macy, who was close to Keller's age.