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Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
In bluegrass music, a banjo roll or roll is a pattern played by the banjo that uses a repeating eighth-note arpeggio – a broken chord – that by subdividing the beat 'keeps time'. "Each ["standard"] roll pattern is a right hand fingering pattern, consisting of eight (eighth) notes, which can be played while holding any chord position with ...
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The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
A common characteristic of clawhammer patterns is the thumb does not pick on the downbeat, as one might in typical fingerpicking patterns for guitar. For example, this is a common, basic 2/4 pattern: A fingerpicked melody quarter note on the downbeat, Other strings strummed with the fingers, for a total of roughly an eighth note starting on the ...
Banjo, "standard roll patterns", on G major chord: Play forward ⓘ (above), Play backward ⓘ, Play mixed ⓘ, and Play forward-reverse ⓘ. [1] [3]Beginning with his first recordings with Bill Monroe and His Blue Grass Boys, and later with Lester Flatt, Earl Scruggs and the Foggy Mountain Boys, Earl Scruggs introduced a vocabulary of "licks", short musical phrases that are reused in many ...
This sub-category is for instruments directly related to or descended from the 19th Century American banjo (rather than drumhead lutes of all types). Subcategories This category has only the following subcategory.
The Jazz Special Bass has a single blade pickup as used on the K-161 and K-162 (tilted slightly towards the neck at the treble side), as well as a distinctive, oversized headstock. Valued among collectors, the headstocks from 1957 to 1960 featured a reverse painted plastic overlay similar to the Kelvinator logo. The guitars featured art deco ...