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Pattachitra is thus a painting done on canvas, and is manifested by rich colourful application, creative motifs, and designs, and portrayal of simple themes, mostly mythological in depiction. [14] The traditions of pattachitra paintings are more than thousand years old. [15] [16]
Ram, Sita, Shib, Nandi-Vringi, Brahma, Vishnu, Shumbha-Nishumbha are painted on this kind of Chalchitra. Krishnanager Rajrajeshwari Durga is seen to be uniquely noticed. In the middle of the Chalchitra, there is Panchanan Shib and Parvati is beside him, on one side there is Dasha-mahabidya and the other side, there is Dashabatar .
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The designs we found in Neolithic times were derived from older images. Thus the continuity of tradition reveals itself best in art, which expresses ideas. Even when religious philosophies developed with writing, a continuity of meaning could be observed often because the change was gradual and the old and the new existed side by side.
Following the widespread influence of Indian spiritual ideas in the West, the British art teacher Ernest Binfield Havel attempted to reform the teaching methods at the Calcutta School of Art by encouraging students to imitate Mughal miniatures. This caused immense controversy, leading to a strike by students and complaints from the local press ...
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Ram Kumar took classes at the Sharda Ukil School of Art under Sailoz Mukherjee and gave up employment at a bank in 1948 to pursue art. [17] Sailoz Mukherjee was a painter from Shantiniketan School [18] who introduced him to still life painting with live models. [19] While a student there, he met Raza at an exhibition. Raza and Ram became good ...
Sita Devi (1914–2005) was an Indian artist, specializing in painting in the Madhubani tradition. She is one of the most well-known Madhubani artists from India, and was one of the first to receive national recognition for the art form, receiving a number of awards for her work including the Padma Shri (one of India's highest civilian honors) in 1981, as well as the Bihar Ratna Samman in 1984.
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