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Midnight Blue is a 1963 [5] [6] [7] album by jazz guitarist Kenny Burrell featuring Stanley Turrentine on tenor saxophone, Major Holley on double bass, Bill English on drums and Ray Barretto on conga, and is one of Burrell's best-known works for Blue Note. [8]
This is the best album in the series after the first, perfectly capturing the sophistication of late 1950s jazz." [ 9 ] Fernando Gonzalez of the Orlando Sentinel stated: "why does The Midnight Blues sound so good and so joyless, so gloomy, so boring?... the tempos are set at a dirgelike pace, and the arranging is so buttoned-down that, rather ...
Chiarelli and Colin Linden subsequently recorded a cover of Bob Dylan's "Highway 61 Revisited" for McDonald's 1991 film Highway 61, and Chiarelli released her debut album the following year on Stony Plain Records. Her albums Just Getting Started and Breakfast at Midnight were both nominated for the Juno Award for Best Blues Album.
Moanin' in the Moonlight is a compilation album and the first album by American blues artist Howlin' Wolf, released by Chess Records in 1959. It contains songs recorded between 1951 and 1959 previously issued as singles, including one of his best-known, "Smokestack Lightning".
Midnight Lady Called the Blues is an album by the American musician Jimmy Witherspoon, released in 1986. [2] [3] It was recorded shortly after Witherspoon recovered from throat cancer. [4] Midnight Lady Called the Blues was dedicated to Big Joe Turner. [5] The album was nominated for a Grammy Award for "Best Jazz Vocal Performance, Male". [6]
By then, the packed crowd had listened to Jewel, whose debut album was released in 1995, and Blues Traveler, whose first hits began playing on the radio (yes, the radio, not streaming!) in 1990.
His 2012 album, Chasing tha Blues, won Best Blues Album at the 12th Annual Independent Music Awards. [8] He appeared in the 2015 documentary film I Am the Blues and the Midnight In The Crescent City documentary by Ben Chace. [9] King's album, Jaw Jackin' Blues, was released in 2020. [10]
In his Allmusic review, critic Ritchie Unterberger wrote, "Graham went into a somewhat harder-rocking bluesy groove on this record, though a strong jazz feel was always present in the rhythm especially. More than any other Graham LP, this offers proof that the guitarist would have established himself as a major star on the folk circuit in the ...