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The Historical Records Survey (HRS) was a project of the Works Progress Administration New Deal program in the United States. Originally part of the Federal Writers' Project, it was devoted to surveying and indexing historically significant records in state, county and local archives. The official mission statement was the "discovery ...
The Works Progress Administration (WPA; renamed in 1939 as the Work Projects Administration) was an American New Deal agency that employed millions of jobseekers (mostly men who were not formally educated) to carry out public works projects, [1] including the construction of public buildings and roads.
The Federal Art Project (1935–1943) of the Works Progress Administration was the largest of the New Deal art projects. [1] As many as 10,000 artists [2] were employed to create murals, easel paintings, sculpture, graphic art, posters, photography, Index of American Design documentation, theatre scenic design, and arts and crafts. [3]
The American Guide Series includes books and pamphlets published from 1937 to 1941 under the auspices of the Federal Writers' Project (FWP), a Depression-era program that was part of the larger Works Progress Administration in the United States. The American Guide Series books were compiled by the FWP, but printed by individual states, and ...
Walker Evans (November 3, 1903 – April 10, 1975) was an American photographer and photojournalist best known for his work for the Resettlement Administration and the Farm Security Administration (FSA) documenting the effects of the Great Depression.
Collectively, the artists of the New Deal produced a vast archive: Murals, including 1,100 post office murals , [6] free-standing and bas relief sculpture, an estimated 30,000 posters, [7] more than 700 books and pamphlets and radio scripts, [8] and architectural details for scores of public buildings, in a style now called WPA Moderne. [9]
The establishment of New Deal relief programs in the 1930s, especially the white-collar program of the WPA, enabled him to apply his ideas on amateur scholarship. [22] He wanted to find ways for university graduates who were not employed in academia to continue to participate in scholarship in their field.
Mabel Dwight (1875–1955) was an American artist whose lithographs showed scenes of ordinary life with humor and tolerance. Carl Zigrosser, who had studied it carefully, wrote that "Her work is imbued with pity and compassion, a sense of irony, and the understanding that comes of deep experience."
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