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Although this was still analog, some professional Hi8 equipment could store additional digital stereo PCM sound on a special reserved track. Digital8 is the most recent 8mm video format. It retains the same physical cassette shell as its predecessors, and can even record onto Video8 (not recommended) or Hi8 cassettes.
To facilitate digital recording on existing Hi8 video cassettes the helical scan video head drum spins 2.5× faster. For both NTSC and PAL Digital8 equipment, a standard-length 120-minute NTSC/90-minute PAL Hi8 magnetic tape cassette will store 60 minutes of Digital8 video (Standard Play) or 90 minutes (Long Play). There are 90-minute versions ...
The scanned footage is edited and composited on work stations then mastered back on film, see film-out and digital intermediate. Scanned film frames may also be used in digital film restoration. The film may also be projected directly on a digital projector in the theater. The data film files may be converted to SDTV (NTSC or PAL) video TV systems.
DV (from Digital Video) is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, DVCAM, Digital8, HDV, DVCPro, DVCPro50 and DVCProHD. DV has been used primarily for video recording ...
An array of high-power multiple red, green and blue LEDs is pulsed just as the film frame is positioned in front of the optical lens. The camera sends the single, non-interlaced image of the film frame to a digital frame store, where the electronic picture is clocked out at the selected TV frame rate for PAL or NTSC or other standards.
The DSR-570 and DSR-390 are based on the DVCAM format developed by Sony. The DSR-570 utilizes three 2/3 inch CCDs which are natively in the 16:9 format. The large CCDs achieve a 570,000 pixel density and over 800 TV lines in 16:9 mode (It can also achieve 850 TV lines if set to 4:3 mode). [1]
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