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  2. 8 mm video format - Wikipedia

    en.wikipedia.org/wiki/8_mm_video_format

    The first Sony camcorder capable of recording to standard 8mm videotape was the Sony CCD-V8, with 6x zoom but only manual focus, released in 1985 with an MSRP of approximately $1,175, [8] ($3,329 in 2023) and a mass of 1.97 kg.

  3. Digital8 - Wikipedia

    en.wikipedia.org/wiki/Digital8

    To facilitate digital recording on existing Hi8 video cassettes the helical scan video head drum spins 2.5× faster. For both NTSC and PAL Digital8 equipment, a standard-length 120-minute NTSC/90-minute PAL Hi8 magnetic tape cassette will store 60 minutes of Digital8 video (Standard Play) or 90 minutes (Long Play). There are 90-minute versions ...

  4. Motion picture film scanner - Wikipedia

    en.wikipedia.org/wiki/Motion_picture_film_scanner

    The scanned footage is edited and composited on work stations then mastered back on film, see film-out and digital intermediate. Scanned film frames may also be used in digital film restoration. The film may also be projected directly on a digital projector in the theater. The data film files may be converted to SDTV (NTSC or PAL) video TV systems.

  5. DV (video format) - Wikipedia

    en.wikipedia.org/wiki/DV_(video_format)

    DV (from Digital Video) is a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. It includes the recording or cassette formats DV, MiniDV, DVCAM, Digital8, HDV, DVCPro, DVCPro50 and DVCProHD. DV has been used primarily for video recording ...

  6. Sony camcorders - Wikipedia

    en.wikipedia.org/wiki/Sony_camcorders

    The DSR-570 and DSR-390 are based on the DVCAM format developed by Sony. The DSR-570 utilizes three 2/3 inch CCDs which are natively in the 16:9 format. The large CCDs achieve a 570,000 pixel density and over 800 TV lines in 16:9 mode (It can also achieve 850 TV lines if set to 4:3 mode). [1]

  7. Telecine - Wikipedia

    en.wikipedia.org/wiki/Telecine

    The Spirit DataCine, Cintel's C-Reality and ITK's Millennium opened the door to the technology of digital intermediates, wherein telecine tools were not just used for video outputs, but could now be used for high-resolution data that would later be recorded back out to film. [13] The DFT Digital Film Technology Spirit 4K/2K/HD (2004) replaced ...

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