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The Gibson L9-S Ripper is a model of electric bass guitar made by Gibson Guitar Corporation. The Ripper was designed by Bill Lawrence, and manufactured from 1973 until 1983, the peak year being 1976. Most had a maple body with laminated maple neck; however a significant number manufactured in 1975 had lighter alder bodies while retaining the ...
The Gibson Grabber was a bass guitar introduced in 1973 along with the Gibson Ripper, both designed by Bill Lawrence. The Grabber featured a bolt-on 34 + 1 ⁄ 2 in (876 mm) neck similar to Fender basses and shared a similar body shape with the Ripper. A distinctive feature of the Grabber was its adjustable pickup, which could be positioned by ...
However, small numbers of Gibson banjos continued to be constructed and shipped during the war years using stocks of metal parts remaining in factory bins. Production of metal banjo parts resumed in late 1946; however, it is commonly believed that the metal composition of foundry products delivered to Gibson after World War II was inferior to ...
The Gibson G-3 was a bass guitar by Gibson building on the design of the Gibson Grabber.. Introduced in 1975 as a companion to the Gibson Grabber, the G-3 (which stands for Grabber 3) introduced a new pickup scheme to the already established body style.
The product range was expanded in the 1970s to include M4 bass tuners, various bridges, including TOM bridges for Gibson guitars, and numerous other variants of pickups. [12] Schaller also created many of its own products, including a novel, double-locking tremolo system designed in 1977 by Floyd D. Rose .
He was also seen performing with Fender Precision Basses and he also owned four Gibson Rippers, [51] [52] and would change out the pickups to experiment with different tones. [53] Photos and video show him often playing a blonde one [ 54 ] and also a sunburst, which was featured in The Last Waltz .
The body was styled after the design of the double-cutaway Les Paul Junior, but retained the mahogany neck and body and 30.5" scale length of the Gibson EB-1. It was available in cherry red only. This version of the EB-0 remained in production until 1961, after which the body was redesigned to resemble the Gibson SG [3] (like the contemporary ...
Gibson Maestro FZ-1 Fuzz-tone. The Maestro FZ-1 Fuzz-Tone was the first widely marketed fuzz distortion guitar and bass effect. Introduced in 1962, it achieved widespread popularity in 1965 after the Rolling Stones guitarist Keith Richards prominent use of the FZ-1 on the group's hit, "Satisfaction".
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