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The term stained glass is also applied to windows in enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the ...
Removing a sliver of paint for analysis by a mass spectrometer may reveal information about trade routes, but it also damages the book. Likewise, inspecting the drawings and inscriptions in the margins provides a unique historical window, but a careless historian might touch the page and damage fragile and flaking paint.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The thing that makes these "special effects" of Clayton and Bell the more remarkable is that they were achieved with little resource to painted glass and flashed glass and without the multi-coloured Favrile glass used by Louis Comfort Tiffany studios and the Aesthetic designers of the United States. In fact, they used little more than radiating ...
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
However, in the case of stained glass, these efforts are complicated by the nature of the medium itself. This is because a stained-glass window is a 'complex object' in that it is made from more than one component material, each with its own inherent risks and conservation needs (Pye 2001, 80).
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