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The term stained glass is also applied to windows in enamelled glass in which the colors have been painted onto the glass and then fused to the glass in a kiln; very often this technique is only applied to parts of a window. Stained glass, as an art and a craft, requires the artistic skill to conceive an appropriate and workable design, and the ...
Guler's rich colors were achieved by hand-painting sections of glass (from France, Germany and the US) with glass paints: ground glass mixed with iron oxide, yellow stain and other colorants; then firing the painted glass in a kiln. Windows made with this detailed painting are known as Munich-style stained-glass, or Munich windows. [3]
Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The Wales Window for Alabama is a stained-glass window by the artist John Petts created in response to the 16th Street Baptist Church bombing which took place in 1963. Petts, who was based in Carmarthenshire, initiated a campaign in Wales to raise money to fund a stained-glass window to replace one of the windows destroyed in the bombing.
The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [ 21 ] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.
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