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The Reivers reunited in 2008 for occasional performances around Austin. [6] On August 28, 2008, The Reivers played a benefit concert in Austin, and John Croslin announced that the re-formed band would be called Right or Happy. [7] Under the new name, and including keyboardist Eric Friend, the band played at the 2009 South by Southwest.
It should only contain pages that are The Reivers (band) albums or lists of The Reivers (band) albums, as well as subcategories containing those things (themselves set categories). Topics about The Reivers (band) albums in general should be placed in relevant topic categories .
Pop Beloved is the fourth album released by The Reivers, in 1991.After two albums on major label Capitol Records that were critically well-reviewed but commercially underperforming, they returned to the independent DB Records.
Saturday is a 1987 album by The Reivers.It was their major label debut on Capitol Records.Notable tracks include “In Your Eyes,” which is the only song for which the band produced an official video (directed by Kevin Kerslake); [2] and "Wait for Time," which Rolling Stone's Michael Azerrad described as "an amazing moment on an amazing album."
Translate Slowly is the 1985 debut album by The Reivers. This album was originally released under the band's original name, Zeitgeist, but was remixed in 1988 and re-released under the band name The Reivers, after another band claimed rights to the name "Zeitgeist." The album received positive attention from many critics.
End of the Day is a 1989 album by the Reivers.It was their second (and last) album for Capitol Records.Many of the songs on the album deal with themes of home and family, including "Star Telegram", which writer Sarah Vowell called "one of the prettiest evocations of the lovely, lazy side of the American dream, a family unwinding in a Fort Worth back yard"; [2] and "Almost Home," which was ...
On Rotten Tomatoes, the episode has an approval rating of 92% with an average score of 7.48 out of 10, based on 25 reviews. The site's critical consensus reads, "'Lines We Cross' sets the stage for TWD ' s 10th season with a fierce momentum that delivers equally on satisfying character moments and tense plotting."
He rose to prominence the following year as Lucius McCaslin in the feature film The Reivers, which earned him a Golden Globe nomination as the Best Supporting Actor of 1969. [ 4 ] Having established himself in feature films, Vogel briefly appeared on an episode of Bonanza broadcast on October 6, 1968, entitled "The Real People of Muddy Creek".