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Lamentation of Christ (also known as Glimm Lamentation) is an oil-on-panel painting of the common subject of the Lamentation of Christ by the German Renaissance artist Albrecht Dürer, executed around 1500 and now in the Alte Pinakothek of Munich, Germany.
Lamentation of Christ is an oil-on-panel painting of the common subject of the Lamentation of Christ attributed to German Renaissance artist Albrecht Dürer, executed around 1498 and now in the Germanisches Nationalmuseum of Nuremberg, Germany. The work was executed for the family chapel of Karl Holzschuher in the church of Sankt Johannis in ...
The Lamentation of Christ [1] is a very common subject in Christian art from the High Middle Ages to the Baroque. [2] After Jesus was crucified , his body was removed from the cross and his friends mourned over his body.
Lamentation of Christ (Glim Lamentation) 1500/03 —w: Color on panel (spruce) 151.9 × 121.6: Munich, Alte Pinakothek : 70 Madonna and Child at the Breast (Madonna lactans) 1503 dm: Oil on panel (limewood) 24.1 × 18.3: Vienna, Kunsthistorisches Museum : 71 Jabach Altarpiece outer panels: Job on the Dungheap or Job Taunted by His Wife; Piper ...
Title page. Small Passion is a series of 36 woodcuts and a frontispiece by Albrecht Dürer. [1] One of the best surviving sets is now in the British Museum in London. [2] It was produced in 1511 as a new set of works on Biblical themes and the life and Passion of Christ (its title distinguishes it from his earlier Great Passion) in 1511, the same year as he republished earlier works such as ...
The Martyrdom of the Ten Thousand is an oil painting by Albrecht Dürer, dating to 1508 and now at the Kunsthistorisches Museum of Vienna, Austria.It is signed on a cartouche which hangs from the artist's self-portrait in the center, saying Iste faciebat Ano Domini 1508 Albertus Dürer Aleman.
Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 12 (Grav.Bois) Albrecht Dürer: Complete woodcuts, 030; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 20
Credit line: Rosenwald Collection: References: Bartsch's Le Peintre Graveur, 43 (Grav.Bois) Albrecht Dürer: Complete woodcuts, 113; Catalogue of Early German and Flemish Woodcuts in the British Museum, Vol. 1, C. D. 87
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