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Ornament has been evident in civilizations since the beginning of recorded history, ranging from Ancient Egyptian architecture to the assertive lack of ornament of 20th century Modernist architecture. Ornaments also depict a certain philosophy of the people for the world around.
The acanthus (Ancient Greek: ἄκανθος) is one of the most common plant forms to make foliage ornament and decoration in the architectural tradition emanating from Greece and Rome. [ 1 ] Architecture
The Romans took over the vocabulary more or less in its entirety, and although much altered, it can be traced throughout European medieval art, especially in plant-based ornament. Islamic art, where ornament largely replaces figuration, developed the Byzantine plant scroll into the full, endless arabesque, and especially from the Mongol ...
One of the earliest appearances of the rosette in ancient art is in early fourth millennium BC Egypt. [2] Another early Mediterranean occurrence of the rosette design derives from Minoan Crete; Among other places, the design appears on the Phaistos Disc, recovered from the eponymous archaeological site in southern Crete.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that
Ancient Greek art includes much pottery and sculpture, as well as architecture. Greek sculpture is known for the contrapposto standing of the figures. The art of Ancient Greece is usually divided stylistically into three periods: the Archaic, the Classical, and the Hellenistic.
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