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Billion Dollar Babies is the sixth studio album by American rock band Alice Cooper, released on February 27, 1973 by Warner Bros. Records. [1] [2] The album became the best selling Alice Cooper record at the time of its release, hitting number one on the album charts in the United States and the United Kingdom, and was certified platinum by the Recording Industry Association of America.
Fontaine had his first DJ gig at Crazy Larry's on the Kings Road, London, but he soon progressed to residency at the Fridge in Brixton in 1989. [2]Having worked at various other clubs in London (Subteranea, Billion Dollar Babes), he eventually became a resident DJ at one of the UK's largest club nights at Cream, [3] and also went on to feature at its Ibiza nights.
"Billion Dollar Babies" is a popular 1973 single by the rock group Alice Cooper, the title track taken from the album Billion Dollar Babies. It was released in July 1973, a few months after the album had been released. The track is a duet between Alice Cooper and Scottish musician Donovan, who provides the falsetto and high harmony vocals. [2]
Will Packer does not make films for Hollywood. Though his career has spanned 30 years, and his movies have collectively grossed over $1 billion at the box office, the prolific producer learned ...
This Barbie is a billionaire! Greta Gerwig‘s doll comedy starring Margot Robbie has officially earned over $1 billion at the box office. Barbie pulled in an estimated $53 million domestically in ...
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Billion Dollar Babies was the name of the band founded in 1976 by Michael Bruce, Mike Marconi, Dennis Dunaway, Bob Dolin and Neal Smith after they split from Alice Cooper. Originally, Billion Dollar Babies started out in the hope that Alice would return and Battle Axe would be the new record from the Alice Cooper group.
The 12" single featured "Billion Dollar Babies (Recorded Live)" as well as a haunting "live" version of "I'm Eighteen". Both versions were in fact originally recorded in the studio for the Alice Cooper a Paris TV special in 1981 during the Special Forces era, which were remixed in 1986 with crowd noise to resemble "live" recordings.