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Whether you are looking for ceiling ideas for your living room, bedroom, or kitchen, we have inspirational rooms topped with rustic stained tongue-and-groove pine planks, farmhouse perfect painted ...
Wood wall panelling has seen a resurgence in popularity in recent years due to its aesthetic appeal, versatility, and sustainability. Traditionally used to insulate and decorate interiors, modern wood panelling includes wainscoting, beadboard, shiplap, board and batten, and both raised and flat panels. This renewed interest is driven by the ...
Beadboard may refer to: A rigid panel made from molded expanded polystyrene foam (MEPS/EPS) A type of panelling made from tongue-and-groove boards
Later, the boards were radially sawn in a type of sawmill called a clapboard mill, producing vertical-grain clapboards. The more commonly used boards in New England are vertical-grain boards.
A dropped ceiling is a secondary ceiling, hung below the main (structural) ceiling. It may also be referred to as a drop ceiling, T-bar ceiling, false ceiling, suspended ceiling, grid ceiling, drop in ceiling, drop out ceiling, or ceiling tiles and is a staple of modern construction and architecture in both residential and commercial applications.
A soffit is an exterior architectural feature, generally the horizontal, aloft underside of the roof edge. Its archetypal form, sometimes incorporating or implying the projection of rafters or trusses over the exterior of supporting walls, is the underside of eaves (to connect a supporting wall to projecting edge(s) of the roof ).
Various sized cuts of 1 ⁄ 2 in (13 mm) drywall with tools for maintenance and installation . Drywall (also called plasterboard, dry lining, [1] wallboard, sheet rock, gib board, gypsum board, buster board, turtles board, slap board, custard board, gypsum panel and gyprock) is a panel made of calcium sulfate dihydrate (), with or without additives, typically extruded between thick sheets of ...
The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino.
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