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Dead Calm is a 1989 Australian psychological thriller film directed by Phillip Noyce, produced by George Miller, and starring Sam Neill, Nicole Kidman and Billy Zane. The screenplay by Terry Hayes was based on the 1963 novel of the same name by Charles Williams .
Phillip Roger Noyce AO (born 29 April 1950) is an Australian film and television director. Since 1977, he has directed over 19 feature films in various genres, including historical drama (Newsfront, Rabbit-Proof Fence, The Quiet American); thrillers (Dead Calm, Sliver, The Bone Collector); and action films (Blind Fury, The Saint, Salt).
How to Get Away with Murder is an American legal drama thriller television series that premiered on the American Broadcasting Company (ABC) on September 25, 2014, and concluded on May 14, 2020. [1] The series was created by Peter Nowalk and produced by Shonda Rhimes and ABC Studios , airing as part of a night of programming under Rhimes ...
Dead Calm: Yes No Rae Ingram [30] 1990 Days of Thunder: Yes No Dr. Claire Lewicki [31] 1991 Flirting: Yes No Nicola Radcliffe [32] Billy Bathgate: Yes No Drew Preston [33] 1992 Far and Away: Yes No Shannon Christie [34] 1993 Malice: Yes No Tracy Safian [35] My Life: Yes No Gail Jones [36] 1995 Batman Forever: Yes No Dr. Chase Meridian [37] To ...
Amid growing anxieties surrounding reported drone sightings, the FBI has issued a warning against a new trend of pointing lasers at aircrafts.
The suspect in the killing of top Russian general Igor Kirillov has been charged with an act of terrorism resulting in the death of a person, a notice on the website of the Moscow court said on ...
The Deep is an unfinished film directed by Orson Welles, based on Charles Williams's novel Dead Calm (1963), which was later adapted as an eponymous 1989 film. Welles produced and wrote The Deep, as well as played the role of Russ Brewer opposite Jeanne Moreau and Laurence Harvey. Welles worked on the film from 1966 to 1969.
Chopra says Rodgers was immediately “really trusting” with him and Hughes, adding that throughout their year working together on the documentary, Rodgers “was very open and vulnerable.”