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He is the author of Stained Glass Primer, an authoritative how-to guide to stained glass technique, used widely by hobbyists and professionals since first published in 1971. [3] Mollica has regularly taught design workshops in the San Francisco Bay Area, Mendocino, CA, Saskatoon, Saskatchewan, Canada and Nagano City, Japan.
Tom Holdman (born April 8, 1970) is a glass artist located in Lehi, Utah, in the United States. His works include the story telling stained-glass windows in the Orem City Library in Orem, Utah; the Roots of Knowledge stained-glass window at Utah Valley University (UVU); and pieces for more than 50 temples of the Church of Jesus Christ of Latter-day Saints (LDS Church).
Carl Huneke (19 June 1898 – 18 June 1972) was a German-American stained glass artist and master craftsman.. Proprietor of the Century Stained Glass Studio in San Francisco, California, Carl designed and created more than 1,000 stained glass windows in 70 churches and other buildings, mostly in Northern California.
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. [2] Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.