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  2. Ear training - Wikipedia

    en.wikipedia.org/wiki/Ear_training

    Aspects of microtonal ear training are covered in Harmonic Experience, by W. A. Mathieu, with sight-singing exercises, such as singing over a drone, to learn to recognize just intonation intervals. There are also software projects underway or completed geared to ear training or to assist in microtonal performance.

  3. Interval recognition - Wikipedia

    en.wikipedia.org/wiki/Interval_recognition

    Interval recognition, the ability to name and reproduce musical intervals, is an important part of ear training, music transcription, musical intonation and sight-reading. Reference songs [ edit ]

  4. GNU Solfege - Wikipedia

    en.wikipedia.org/wiki/GNU_Solfege

    GNU Solfege is an ear training program written in Python intended to help musicians improve their skills and knowledge. It is free software and part of the GNU Project . GNU Solfege is available for Linux , [ 2 ] Windows , and OS X .

  5. Relative pitch - Wikipedia

    en.wikipedia.org/wiki/Relative_pitch

    Relative pitch is the ability of a person to identify or re-create a given musical note by comparing it to a reference note and identifying the interval between those two notes. For example, if the notes Do and Fa are played on a piano, a person with relative pitch would, without looking, be able to identify the second note from the first note ...

  6. Sight-reading - Wikipedia

    en.wikipedia.org/wiki/Sight-reading

    Ability to read, recognize, and remember groups of notes (directions, patterns, phrases, chords, rhythmic groupings, themes, inversions, intervals, etc.) Ability to read and remember ahead of playing with more and wider progressive fixations; Aural imagery (ear-playing and sight-singing improves sight-reading)

  7. Musical temperament - Wikipedia

    en.wikipedia.org/wiki/Musical_temperament

    For instance, 660 Hz / 440 Hz (a ratio of 3:2) constitutes a fifth, and 880 Hz / 440 Hz (2:1) an octave. Such intervals (termed "just") have a stability, or purity to their sound, when played simultaneously (assuming they are played using timbres with harmonic partials) because pure intervals do not waver or beat regularly.

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  9. EarMaster - Wikipedia

    en.wikipedia.org/wiki/EarMaster

    EarMaster 2.0 was launched in 1997 and was the first version to be commercialized online. In 1998, EarMaster develops the first educational version of its ear training software, EarMaster School 2.5, in collaboration with 29 music teachers. EarMaster Pro 4.0 and EarMaster School 4.0 follow in 2000, with a new interface and more options.

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