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Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. for use in post-production that supports video resolution up to 8K.It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. [1]
Each compression specification defines various mechanisms by which raw video (in essence, a sequence of full-resolution uncompressed digital images) can be reduced in size, from simple bit compression (like Lempel-Ziv-Welch) to psycho-visual and motion summarization, and how the output is stored as a bit stream. So long as the encoder component ...
Versatile Video Coding (VVC), also known as H.266, [1] ISO/IEC 23090-3, [2] and MPEG-I Part 3, is a video compression standard finalized on 6 July 2020, by the Joint Video Experts Team (JVET) [3] of the VCEG working group of ITU-T Study Group 16 and the MPEG working group of ISO/IEC JTC 1/SC 29.
libvorbis – Lossy compression, implementation of the Vorbis format; developed by Xiph.Org Foundation. iLBC – Low bitrate compression, primarily voice; iSAC – Low bitrate compression, primarily voice; (free when using the WebRTC codebase) TTA – Lossless compression; WavPack – Hybrid lossy/lossless
Compressor is used for encoding video and audio media in multiple formats, including HEVC (H.265), MPEG-1, MPEG-2 for DVD, QuickTime .mov, MPEG-4 (Simple Profile), MPEG-4 H.264 and optional (third Party and often commercial) QuickTime Exporter Components to export to Windows Media.
A video coding format [a] (or sometimes video compression format) is a content representation format of digital video content, such as in a data file or bitstream. It typically uses a standardized video compression algorithm, most commonly based on discrete cosine transform (DCT) coding and motion compensation .
Advanced Video Coding (AVC), also referred to as H.264 or MPEG-4 Part 10, is a video compression standard based on block-oriented, motion-compensated coding. [2] It is by far the most commonly used format for the recording, compression, and distribution of video content, used by 91% of video industry developers as of September 2019.
M-JPEG is an intraframe-only compression scheme (compared with the more computationally intensive technique of interframe prediction).Whereas modern interframe video formats, such as MPEG1, MPEG2 and H.264/MPEG-4 AVC, achieve real-world compression ratios of 1:50 or better, M-JPEG's lack of interframe prediction limits its efficiency to 1:20 or lower, depending on the tolerance to spatial ...
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