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Matinée de Septembre (English: September Morn) is a controversial oil painting on canvas completed in 1911 by the French artist Paul Émile Chabas.Painted over several summers, it depicts a nude girl or young woman standing in the shallow water of a lake, prominently lit by the morning sun.
What the Water Gave Me: Poems after Frida Kahlo is a collection of poems by Pascale Petit released in 2010 that were inspired by and reference Kahlo's work. With regards to the present painting, Petit makes Kahlo say that it reveals "my half-drowned thoughts bobbing around my legs".
American Gothic is a 1930 oil on beaverwood painting by the American Regionalist artist Grant Wood. Depicting a Midwestern farmer and his daughter standing in front of their Carpenter Gothic style home, American Gothic is one of the most famous American paintings of the 20th century and is frequently referenced in popular culture. [1] [2]
The song has been recorded by a number of artists since its first publication, including Frankie Trumbauer and His Orchestra with Bix Beiderbecke and Bing Crosby, Dinah Shore, Si Zentner and his Orchestra and the Johnny Mann Singers, the Charleston Chasers, the Louisiana Rhythm Kings, Kid Ory's Creole Jazz Band, Dean Martin, Bobby Darin and Johnny Mercer with Billy May and His Orchestra, Edyie ...
The Treachery of Images (French: La Trahison des images) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe, [2] Ceci n'est pas une pipe [2] and The Wind and the Song. [3] It is on display at the Los Angeles County Museum of Art. [1] The painting shows an image of a pipe.
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Panorama of Along the River During Qing Ming Festival, 18th-century remake of 12th-century Song dynasty original by Chinese artist Zhang Zeduan. The original painting by Zhang is revered by scholars as "one of Chinese civilization's greatest masterpieces." [25] Note: scroll starts from the right.
The key to the 47 figures in the painting follows the numbering used by the U.S. government publication "Art of the Capitol" (in the illustration of the key shown in this section) but provides a different (hopefully clearer) description of which figure is where in the painting, so numbers are not entirely in order.