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In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.
Narrative identity has been explored in the stories of incarcerated individuals. For example, narratives have been used to understand the conversion experience among prisoners. [55] Through these narratives, prisoner converts have been able to integrate their negative self (the one who committed the crime) into their larger sense of self.
Ernst Robert Curtius studied topoi as "commonplaces", themes common to orators and writers who re-worked them according to occasion, e.g., in classical antiquity the observation that "all must die" was a topos in consolatory oratory, for in facing death the knowledge that death comes even to great men brings comfort. [2]
Angelou's theme of identity was established from the beginning of her autobiographies, with the opening lines in Caged Bird, and like other female writers in the late 1960s and early 1970s, she used the autobiography to reimagine ways of writing about women's lives and identities in a male-dominated society. Her original goal was to write about ...
The journey of Odysseus presented in Homer's Odyssey is a quintessential example of nostos in Ancient Greek literature. Nostos (Ancient Greek: νόστος) is a theme used in Ancient Greek literature, which includes an epic hero returning home, often by sea. In Ancient Greek society, it was deemed a high level of heroism or greatness for those ...
Portrait of Fyodor Dostoyevsky in 1872 painted by Vasily Perov. The themes in the writings of Russian writer Fyodor Dostoevsky (frequently transliterated as "Dostoyevsky"), which consist of novels, novellas, short stories, essays, epistolary novels, poetry, [1] spy fiction [2] and suspense, [3] include suicide, poverty, human manipulation, and morality.
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The garrison mentality was first coined by literary critic Northrop Frye in his 'Conclusion' to the Literary History of Canada (1965). He suggested that this aspect of Canadian identity was formed through the population's history and experience with vast wilderness, early settlement and growth in multiculturalism.