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Guruji Pandit Divyang Vakil is currently providing extensive rhythm training to over 500 Kathak students, dancers, artists, teachers and professionals globally who are being trained in Indian classical dance form Kathak from different Kathak Gurus; institutes and belong to different Gharanas (schools of Indian classical dance and music) of Kathak dance.
Like many of Rahman's soundtracks, Guru comes with a variety of songs. The songs vary in their musical style, from the Turkish inspired "Mayya Mayya" to the folk-ish "Ek Lo Ek Muft", the love ballad Tere Bina and rain-themed song, "Barso Re".
Swami Haridhos Giri (also Haridas Giri), affectionately called Guruji, was born in the month of Margazhi (December-January) in the Tamil calendar with the birth star of Utharattathi. Giri was born in the village of Thennangur , Tamil Nadu , South India.
[2] [13] [14] He initiated into the Radhavallabhi Sampradaya by attaining the "Sharanagati Mantra" and met his current Sadgurudev Pujya Shri Hit Gaurangi Sharanji Maharaj or Bade Guruji. Bade Guruji gave him the "Nij Mantra," which is the initiation of "Sahachari Bhava" and "Nitya Vihar Rasa," which let him enter the Rasik Saints. [15] [16]
Ragmala, alternatively spelt as Raagmala or Ragamala (Punjabi: ਰਾਗਮਾਲਾ (); pronounced rāgmālā,) is a composition of twelve verses (sixty lines) that names various raga.
Some of Paintal's notable roles included Rattan in Jawani Diwani (1972), Salma in Rafoo Chakkar (1975), Guruji in Bawarchi (1972), Arun in Piya Ka Ghar (1972), Panditji (Astrologer) in Parichay (1972), Totaram in Jangal Mein Mangal (1972), Kamal in Heera Panna (1973), Headmaster in Roti (1974), Ramu in Khote Sikkay (1973), and Budh Anand in Satte Pe Satta (1982).
In his 20 years journey, Guruji collected artifacts and other material from rural areas. Guruji's collection includes a lot of material used by tribal people as part of their culture. His exposure and interactions with the tribal and rural communities built his knowledge about rural economy and technologies, local practices and folk arts. [2 ...
The harmonium was easy to learn and play, plus it was easily transported, which led to it becoming popular and eventually replacing many local Sikh instruments. [1] However, the harmonium is unsuited for playing traditional raga music because of its rigidness, fixed-state, and equal-temperament tuning that cannot create the microtonal ...
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