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The 5th Brandenburg Concerto, BWV 1050, always was a concerto for flute, violin and harpsichord, also in its earlier version BWV 1050a. Earlier versions for unaccompanied keyboard instruments of all three movements of the Triple Concerto, BWV 1044, are extant. Other harpsichord concertos, and related cantata movements if available, have been ...
The Brandenburg Concerto No. 1, BWV 1046.2 (BWV 1046), [23] is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), [24] which appears to have been composed during Bach's years at Weimar.
BWV 1047 – Brandenburg Concerto No. 2 in F major for trumpet, oboe, recorder, violin, strings and continuo [11] BWV 1048 – Brandenburg Concerto No. 3 in G major for three violins, three violas, three cellos and continuo [12] BWV 1049 – Brandenburg Concerto No. 4 in G major for violin, two fiauti d'echo (recorders), strings and continuo [13]
Other early violin concertos are the four in Tomaso Albinoni's Op. 2 (1700) and the six in Giuseppe Torelli's important Op. 8 (1709 - the other six works in this set are double concertos for two violins). The most influential and prolific composer of concertos during the Baroque period was the Venetian Antonio Vivaldi (1678–1741). In addition ...
BWV 594 – Concerto in C major (after Antonio Vivaldi's Grosso mogul violin concerto, RV 208) BWV 595 – Concerto in C major (after a concerto by Prince Johann Ernst of Saxe-Weimar) BWV 596 – Concerto in D minor (after Antonio Vivaldi's Concerto for two violins and cello, Op. 3 No. 11, RV 565) BWV 597 – Concerto in E-flat major (doubtful)
Composers in the Renaissance/Baroque transitional era include the following (listed by their date of birth): Philippe de Monte (1521–1603) Baldassare Donato (1525/1530–1603)
Bach The Brandenburg Concertos under Johannes Somary, Vanguard (2008) Bach Violin Concertos with Anne-Sophie Mutter and Salvatore Accardo, EMI (1983) Bach Violin Concertos with Itzhak Perlman and Pinchas Zukerman under Daniel Barenboim, EMI (1986) Bach Violin Concertos and Triple Concerto with Arthur Grumiaux under Raymond Leppard, Philips (1964)
A concerto (/ k ə n ˈ tʃ ɛər t oʊ /; plural concertos, or concerti from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble.
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