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Aphrodite, the subject of Sappho's poem. This marble sculpture is a Roman copy of Praxiteles's Aphrodite of Knidos. The poem is written in Aeolic Greek and set in Sapphic stanzas, a meter named after Sappho, in which three longer lines of the same length are followed by a fourth, shorter one. [15]
Sappho 16 is a fragment of a poem by the archaic Greek lyric poet Sappho. [ a ] It is from Book I of the Alexandrian edition of Sappho's poetry, and is known from a second-century papyrus discovered at Oxyrhynchus in Egypt at the beginning of the twentieth century.
In 1508, a collection of Greek rhetorical works edited by Demetrios Doukas and published by Aldus Manutius made a poem by Sappho (the Ode to Aphrodite) available in print for the first time; [28] in 1554, Henri Estienne was the first to collect her poetry when he printed the Ode to Aphrodite and the Midnight poem after a collection of fragments ...
In 1930 she was given a copy of Henry Thornton Wharton's translation of the poetry of Sappho as a birthday present. This inspired her to adapt fragments of Sappho, such as in "Love Poem", a four-line adaptation of the twenty-eight-line "Ode to Aphrodite". [3] In 1933, she began a correspondence with the poet Ezra Pound, sending him six of her ...
Download as PDF; Printable version; ... Pages in category "Works by Sappho" The following 13 pages are in this category, out of 13 total. ... Poetry of Sappho; S ...
A papyrus manuscript preserving Sappho's "Fragment 5", a poem written in Sapphic stanzas The Sapphic stanza , named after the poetess Sappho , is an Aeolic verse form of four lines . Originally composed in quantitative verse and unrhymed, since the Middle Ages imitations of the form typically feature rhyme and accentual prosody.
Sappho 2 is a fragment of a poem by the archaic Greek lyric poet Sappho.In antiquity it was part of Book I of the Alexandrian edition of Sappho's poetry. Sixteen lines of the poem survive, preserved on a potsherd discovered in Egypt and first published in 1937 by Medea Norsa.
Composers have also set Sappho's own poetry to music: for example Xenakis' Aïs, which uses text from fragment 95, and Charaxos, Eos and Tithonos (2014) by Theodore Antoniou, based on the 2014 discoveries. [203] Detail of Sappho from Raphael's Parnassus (1510–11), shown alongside other poets. In her left hand, she holds a scroll with her name ...