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Tahing Baila is a Yakan dance, a low land tribal Philippine folk dance, in which it tries to imitate movements of fish. [2] Pangsak Basilan Yakan From the highlands of Mindanao, is a Musim ethnic group called the Yakan. They are known to wear body-hugging elaborately woven costumes.
Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
The dance is intended to impress the viewers with the great skill of the dancers. In some "Filipino Martial Arts" (FMA) circles, it is noted that the Maglalatik "consists of a trapping and boxing method hidden in a dance." The name of the dance means "latik-maker", from latik, a coconut product that is used in Filipino cooking.
The Bayanihan Philippine National Folk Dance Company is the oldest dance company in the Philippines. [1] A multi-awarded company, both nationally and internationally, [2] Guillermo Gomez Rivera has called it the "depository of almost all Filipino dances, dress and songs."
The dance was subsequently named Singkil after the brass anklets worn by the original dancer, Princess Tarhata. [1] [2] Later, the Bayanihan folk dance group incorporated the Singkil dance into a storyline based on an episode from the Maranao epic, Darangen. The narrative revolves around Prince Bantugan's romantic pursuits of Princess Gandingan.
Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. The dance is accompanied by castanets. [1] This dance, together with the Jota, became popular among the illustrados or the upper ...
Helobung, a dance troupe composed of Indigenous T'boli people from the Philippines' Lake Sebu, is on the latter half of its tour through Oahu, where they have been performing to showcase their ...
The dance immediately became popular in the province for stage performances and social dancing. Later, Mr. Antonino Arreza, a native of Cantilan and a grandfather of Prospero Pichay, Jr., was believed to be the one who composed the lyrics of Itik-itik. Below is the original version of Itik-itik in native Cantilangnon dialect: