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In 2010, a series of Baby Einstein box sets called Discovery Kits were made with Julie Aigner-Clark as the director. Later in 2012, they were released as original videos. The nine Discovery Kits came with a DVD, CD with selections of music heard in the video, and a book and discovery cards for small children.
On August 4, 2023, it was reported that Kep1er would make a comeback in September, five months after their last release Lovestruck!. [1] On August 29, Wake One Entertainment confirmed that Kep1er would be releasing their fifth extended play titled Magic Hour on September 25 through the release of a teaser poster. [2]
"Galileo" is a song written by Emily Saliers and recorded and performed by folk rock group the Indigo Girls. It was released in 1992 on their platinum-selling fourth studio album Rites of Passage . It reached #10 on the Billboard Modern Rock Tracks chart, the first song by the Indigo Girls to break the top ten on any chart.
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"Asu e" (明日へ, "To Tomorrow") is a song by Japanese band Galileo Galilei. It was used as the first opening theme song for the anime Mobile Suit Gundam AGE , and was released as their sixth physical single on December 7, 2011.
"Speed of Sound" is a piano-based song with an upbeat tempo. The song begins with the insistently ornate keyboard melody, [8] [9] with a backing synthesizer that is heard throughout the song. The melody then transitions into the first verse being sung by lead singer Chris Martin. It repeats, with the song then transitioning into its second verse.
This is a list of early pre-recorded sound and part or full talking feature films made in the United States and Europe during the transition to sound, between 1926 and 1929. [1] During this time a variety of recording systems were used, including sound on film formats such as Movietone and RCA Photophone , as well as sound on disc formats like ...
Perhaps the most significant song that appears on German Afternoons is "The Speed of the Sound of Loneliness", which became a concert staple and an instant classic for many Prine devotees. Writing in Great Days: The John Prine Anthology , critic David Fricke describes the song as "a hypnotic song of lovesick melancholia set to a simple, mid ...