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Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
A ceramic decal is a transfer system that is used to apply pre-printed images or designs to ceramic tableware, ornamental ware and tiles, and glass containers.. A decal typically comprises three layers: the color, or image, layer which comprises the decorative design; the covercoat, a clear protective layer, which may incorporate a low-melting glass; and the backing paper on which the design ...
There is a high level of control over color matching, and multiple colors can be printed simultaneously. Unlike screen printing, digital ceramic printing on glass does not require screens and the files are stored digitally making printing of all sizes and replacement of any panel simple, in high resolution, full color. [3]
Screen printing may be adapted to printing on a variety of materials, from paper, cloth, and canvas to rubber, glass, and metal. Artists have used the technique to print on bottles, on slabs of granite, directly onto walls, and to reproduce images on textiles which would distort under pressure from printing presses.
A multicolored print could be made using different blocks for different colors. For ceramics, the print was made onto duplex paper, with a thin layer of tissue paper facing a thicker layer of paper. A weak varnish was painted on the ceramic surface, which could be slightly curved, then the duplex paper pressed onto the surface.
However, woodblock print flower patterns applied to silk in three colours have been found dated from the Han dynasty (before AD 220). [4] Inscribed seals made of metal or stone, especially jade, and inscribed stone tablets probably provided inspiration for the invention of printing.
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'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration was commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing , though other methods of application have also been used.
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