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The Tale of Tsar Saltan (Russian: Сказка о царе Салтане, romanized: Skazka o Tsare Saltane listen ⓘ) is an opera in four acts with a prologue (a total of seven scenes) by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on the 1831 poem of the same name by Aleksandr Pushkin.
1900 – The Tale of Tsar Saltan, opera by Nikolai Rimsky-Korsakov in which the popular piece Flight of the Bumblebee is found. 1943 – The Tale of Tsar Saltan, USSR, traditionally animated film directed by Brumberg sisters. [95] 1966 – The Tale of Tsar Saltan, USSR, feature film directed by Aleksandr Ptushko. [96]
The Tale of Tsar Saltan, of His Son, the Famous and Mighty Bogatyr Prince Gvidon Saltanovich, and of the Beautiful Princess Swan (Сказка о царе Салтане, о сыне его, славном и могучем богатыре князе Гвидоне Салтановиче и о прекрасной Царевне Лебеди ...
The Tale of Tsar Saltan" is a poem by Aleksandr Pushkin. It may also refer to: The Tale of Tsar Saltan (opera), opera by Nikolai Rimsky-Korsakov; The Tale of Tsar Saltan, a Russian film; The Tale of Tsar Saltan, an animated Russian film
Pages in category "Operas by Nikolai Rimsky-Korsakov" The following 16 pages are in this category, out of 16 total. ... The Tale of Tsar Saltan (opera)
Nikolai Rimsky-Korsakov in 1897. The Golden Cockerel (Russian: Золотой петушок, romanized: Zolotoy petushok listen ⓘ) is an opera in three acts, with a short prologue and an even shorter epilogue, composed by Nikolai Rimsky-Korsakov, his last complete opera, before his death in 1908.
Rimsky-Korsakov and Belsky first became interested in writing an opera on the Kitezh legend during the winter of 1898-1899, while they were working on the libretto to The Tale of Tsar Saltan. The idea of combining the legend of Saint Fevroniya of Murom into the story was part of the project from the beginning. [2]
Once Rimsky-Korsakov discovered this functional parallel, he used the octatonic scale as an alternative to the whole-tone scale in the musical portrayal of fantastic subjects. [24] This held true not only for Sadko but later for his symphonic poem Skazka ("The Tale") and the many scenes depicting magical happenings in his fairy-tale operas. [24]
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