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A houppelande or houpelande is an outer garment, with a long, full body and flaring sleeves, that was worn by both men and women in Europe in the late Middle Ages. Sometimes the houppelande was lined with fur. The garment was later worn by professional classes, and has remained in Western civilization as the familiar academic and legal robes of ...
Mary Duffy's Big Beauties was the first model agency to work with hundreds of new plus-size clothing lines and advertisers. For two decades, this plus-size category produced the largest per annum percentage increases in ready-to-wear retailing. Max Mara started Marina Rinaldi, one of the first high-end clothing lines, for plus-size women in ...
Modern terms such as Bermuda shorts, Hawaiian shirts, and Fair Isle sweaters are the latest in a long line that stretches back to holland (linen), damask ("from Damascus"), polonaise ("in the fashion of Polish women"), basque, jersey (originally Jersey frock), Balaclava, Capri pants, mantua, and denim ("serge de Nîmes" after the city).
Standing woman in a white dress with leg o'mutton sleeves. By René Schützenberger, 1895.. Fashionable women's clothing styles shed some of the extravagances of previous decades (so that skirts were neither crinolined as in the 1850s, nor protrudingly bustled in back as in the late 1860s and mid-1880s, nor tight as in the late 1870s), but corseting continued unmitigated, or even slightly ...
The man on the right works in linen braies, c. 1170; Man digging has tucked up his long tunic, which he wears with chausses and ankle-high shoes, c. 1170; Men pruning grapevines wear short tunics and chausses. The man on the left wears a hood over a linen coif, Normandy, c. 1180; Men harvesting grapes. The man on the right wears braies and a ...
An attendant in the same illustration wears a red hood with a long liripipe. Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur. Note that the sleeve is only attached to the dress at the top, 1467–1471.
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