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Snake charmer in Jaipur (India) in 2007 Snake charming is the practice of appearing to hypnotize a snake (often a cobra ) by playing and waving around an instrument called a pungi . A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling ...
In Punjab, the word Sapela is derived from the word sap, which means snake in Punjabi. They are also known as Nath. The community are as much snake catchers as snake charmers, and are employed by villagers as snake charmers. According to their traditions, the community descend from a Kanipa, a Jhinwar, who took to snake
Their dances and songs are a matter of pride and a marker of identity for the Kalbelias, as they represent the creative adaptation of this community of snake charmers to changing socio-economic conditions and their own role in rural Rajasthani society. An image of a dancer belonging to the Kalbelia tribe from Rajasthan, India
In Haryana, the Bangali are entirely Hindu, and have a village deity called Khera. They are further divided into clans, called gotras. Their main clans are the Gandhila, Guar, Bhambi, Panjpasia, Marar, Ladar and Kalandar. Most Bangali are still employed as snake charmers, with a small minority who are now daily wage labourers. [9]
Some are salt traders, fortune-tellers, conjurers, ayurvedic healers, jugglers, acrobats, actors, storytellers, snake charmers, animal doctors, tattooists, grindstone makers, or basketmakers. Some anthropologists have identified about 8 nomadic groups in India , numbering perhaps 1 million people—around 0.12 percent of the country's billion ...
Nala Damajanti was the stage name of a late 19th-century snake charmer who toured with P.T. Barnum's circus and performed at the famed Folies Bergère in Paris. French sources identify her as Emilie Poupon (1861–1944), born in Nantey, Jura Department, France.
Ali Khan Samsudin, (January 3, 1958 – December 1, 2006 in Kuala Lumpur) was a snake charmer known as Malaysia's "Snake King". He earned the title after living with 400 cobras, for 12 hours a day for 40 days, in a small room in the early 1990s.
It is in particular played by snake charmers, mostly in the Terai and Nepal, to arouse snakes to dance. [12] The instrument has a high, thin tone and continuous low humming. [13] It has been an important instrument in Indian folk culture and is known by various names in different parts of India.