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Inlay (ivory, red sandalwood, copper) on wooden casket. In a wood matrix, inlays commonly use wood veneers, but other materials like shells, mother-of-pearl, horn or ivory may also be used. Pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base metal matrix, are other forms of inlay. Master ...
The flowers are abalone shell inlays, Tokyo National Museum Inrō, Design of minute patterns in mother-of-pearl inlay, Somada school characterized by a combination of raden and makie techniques, Edo period, 19th century, Tokyo National Museum. Raden (螺鈿) is a Japanese term [1] for one of the decorative techniques used in traditional crafts ...
Bows of stringed instruments such as the violin and cello often have mother-of-pearl inlay at the frog. It is traditionally used on saxophone keytouches, as well as the valve buttons of trumpets and other brass instruments. The Middle Eastern goblet drum (darbuka) is commonly decorated by mother-of-pearl. [citation needed]
The start of the practice dates from before the seventh century AD. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid wood matrix of floors and walls or of tabletops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass.
Nacre ("mother of pearl"), plastic and wood are the materials most often used as inlay. Some very limited edition high-end or custom-made guitars have artistic inlay designs that span the entire front (or even the back) of the guitar. These designs use a variety of different materials and are created using techniques borrowed from furniture making.
Similar to marquetry, it uses small pieces of wood, bone, ivory, metal, or mother-of-pearl to create inlaid geometric patterns on a wood base. [1] The term comes from Carthusian monasteries (Certosa in Italian, Charterhouse in English), [2] probably the Certosa di Pavia, where the technique was used in ornamenting an altarpiece by the Embriachi ...
Saddle; lacquered wood with mother of pearl inlay; seat length: 43.0 cm (16.9 in), height 29.7 cm (11.7 in) (saddle fork) and 35.0 cm (13.8 in) (cantle) Eisei Bunko Museum, Tokyo: Saddle and stirrups with circular motifs in mother of pearl inlay (円文螺鈿鏡鞍, enmon raden no kagamikura) [109]
Cabinet with red lacquer, mother-of-pearl inlay. Ryukyu Islands (18th century) Ryukyuan lacquer, like lacquerwares from other parts of East and Southeast Asia, comes in a number of standard categories: painted lacquer, carved, incised and filled in with gold, painted with gold, and inlaid with mother-of-pearl. The use of mother-of-pearl in ...
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