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The tomb was anciently desecrated, with many instances of Ay's image or name erased from the wall paintings. Its decoration is similar in content and colour to that of the tomb of Tutankhamun (KV62), with a few differences. On the eastern wall there is a depiction of a fishing and fowling scene, which is not shown in other royal tombs, normally ...
The east wall portrays Tutankhamun's funeral procession, a type of image that is common in private New Kingdom tombs but not found in any other royal tomb. The south wall portrayed the king with the deities Hathor, Anubis and Isis. Part of the decoration of this wall was painted on the partition dividing the burial chamber from the antechamber ...
The depiction of the king as a child is among the most beautiful of all Egyptian art from the end of the 18th Dynasty. [7] The head of Nefertem has been exhibited in travelling exhibitions of selected original finds from the tomb of Tutankhamun, including, among others, the Treasures of Tutankhamun (1972–1981). [12]
The tomb includes imagery of wealth and inw being presented to royalty in "tribute scenes". Huy's tomb has two tribute scenes on its western wall. The Southern section features a Nubian tribute scene depicting envoys and chieftains from Wawat and Kush presenting offerings to Huy, including animal skins, giraffes' tails, and captives. [10]
The side walls of the entrance are decorated with colourful and well preserved inscriptions. A relief in the tomb's first chamber shows Maia sitting on a chair with Tutankhamun on her lap and surrounded by six people honouring the young king. On the opposite wall there is a badly damaged scene showing Maia in front of the king.
The Tutankhamun Exhibition in Dorchester, Dorset, England, is a permanent exhibition set up in 1986 by Michael Ridley as a re-creation of the tomb of the ancient Egyptian Pharaoh Tutankhamun. The exhibition does not display any of the actual treasures of Tutankhamun, but all artifacts are recreated to be exact facsimiles of the actual items.
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